Fioravanti – Dressmakers

Fiavoranti_0001     Fioravanti is a couture clothing store and studio in Beacon Hill where Mia Fioravanti and her daughter Wysdom design and sew pieces meant to endure. “I am not interested in trends.” Says Mia. “I think it’s important to be on some sort of trend so that your stuff is relevant and modern and someone will want to wear it. The thing about us is, we are much more interested in something that lasts. That is one thing I have always tried to stay true to.”Fiavoranti_0002     Their studio is filled with pieces that have a timelessness about them, from classic sleeveless black dresses to sheer navy ponchos and impeccable white button-downs.Fiavoranti_0003     The duo will soon be moving to a space down the street on Beacon Ave. where they will quadruple their space. “We are looking to create more of a lifestyle store rather than just clothing, so we are going to have other people’s work, we’re going to have events, and I’m looking for artists, photographers, people like that who want to do shows. I have three people slated to do shows and art openings once a month, so it’s going to be a much more dimensional kind of place.”Fiavoranti_0004     Mia Fioravanti taught herself to sew at age 8. Daughter to a father who ran a woolen mill in the Midwest, Fioravanti was introduced to the family business lifestyle at a young age. “I went to art school and was doing graphic design and advertising, and I hated it so I went back to sewing.” While working with a dry cleaner in Denver, Fioravanti brushed up on her sewing skills, then spent a year apprenticing with a woman from Russia who specialized in couture. With intermittent careers as a stylist and a Waldorf teacher, Fioravanti is now running her business on Beacon Hill with her daughter Wysdom, who graduated in May with a bachelors degree in technical design.

“As far as fashion goes, that’s kind of a funny word to define, but I feel that I’ve always been a dress maker. I’ve always done lots of couture work, that’s my background – making everything kind of hand made and now we have a manufacturer who’s doing some of the work and we’re doing some of the work.

I don’t know where we’re heading with all of that but we kind of pride ourselves on being part of slow fashion and slow clothing, kind of similar to slow food, we want to do creative work, but we also have a baseline. We have a line of clothing and then from there we’re doing some one-of-a kind pieces, or three-of-a kind.”Fiavoranti_0009Fiavoranti_0014     Wysdom grew up around design and sewing then went on to study the more technical side of the craft. “I’m trying to get experience but I’m also leading the technical part because she [Mia] is not very technical. That’s a challenge, because I don’t know everything, I just know a little bit. Coming straight from school and jumping into this business is pretty major, but it has allowed me to do so much. Working with pattern making, making things from scratch and seeing something finished that I made the pattern for, is pretty amazing.”

Mia freely expresses the benefits of working with someone who has a different background than herself. “I’m not interested in doing this by myself anymore. At one time I was like, ‘I’ll just do it all’, and it just doesn’t work. There has to be collaboration. I feel like when Wysdom came along it was right on time because I don’t know how much longer I would have been able to sustain it by myself. We have a really great team effort going on here, and it’s been really great having a person coming right out of school who has fresh perspectives and fresh ideas, and is from a different generation, you know, it’s very important.”Fiavoranti_0018           The Fioravantis are quite the creative household. Their oldest daughter Julia is an artist as well and often models the Fioravanti line. Their closeness as a family and common ground as artists eliminates the need to sugar coat their opinions about one another’s work. Wysdom says of working with her mother, “She has more super creative craziness sometime and I’m more of the editor. I say no a lot, and it works because we’re family so we can be honest. We care about each other’s feeling but we get over things really quickly.”

Likewise, Mia says Wysdom often makes their work stay true to the idea. “I feel like I’m being parented sometimes, but it’s okay, because Wysdom’s got a lot of grounding and I don’t, so this way we stay on track. It’s good to have someone really different from you who holds you accountable.”

The Fioravanti’s shared reverence for the combination of good design and artistic sensibility shows in their work. “When you’re coming from a design point of view rather than a trend point of view, that is a guiding principle, so, no matter what you do, it is relevant if you’re coming from a good design and understanding the artistic composition. Composition is composition. There are rules to it and if you master them and you understand them, then you can break the rules and start making your own.” Watching the two work together in their studio, it seems that Wysdom may be teaching her mother new rules, but that Mia is undoubtedly passing on the invaluable artistry of a lifetime of dressmaking.



Dafen_01I went to Dafen Village in search of the the highly regarded Oil Painting replicas that have been done there since the 90’s. I did not find them. Walking up and down multiple streets half heartedly looking for the painters, my attention was stolen by the lives unfolding around me. I watched a group of women playing mahjong, which for all I know is some kind of complex Chinese dominoes, was momentarily involved in a game of pool and explored what is technically a suburb of Shenzhen, but bared no resemblance the suburbs I have known in the United States. The streets were occupied by their residents, people spending time together outside of their seemingly cramped homes. Dafen_02Dafen_03Dafen_04Dafen_05Dafen_06Dafen_07Dafen_08Dafen_09Dafen_10Dafen_11Dafen_12Dafen_13Dafen_14Dafen_15

Lantau Island

Lantau_01     Mui Wo is a small village on the less developed Eastern side of Lantau Island. You take a 40 minute ferry from Central Hong Kong, and debark in a small windy fishing town. We stopped at a seaside market where we chose our own fish to be fried and 10 minutes later we were eating fish, prawns, and fried eggplant, and washing it down with cold Tsingtao. We hiked up in to the mountains, passing a rather unusual graveyard, multiple racks of fire beating sticks, and many tropical plants that reminded me of Hawaii.

The walk back to the ferry led us though the main part of town which seemed desolate in a way after Hong Kong, in the way that a seasonal town is in the off season. There were fancy-ish three story houses mixed in with dilapidated shacks and overgrown banana trees. Perhaps for no other reason than my growing up in a small beach town on a tropical island, something about Lantau felt not barren, but warmly familiar to me.


Shek-O Coast

      Shek_O_08      If you take a bus towards Shek-O, the semi-fancy beach town on the South East side of Hong Kong Island, you will pass numerous signs for small villages dotting the windy coastal road. These signs ignited my curiosity, so I jumped off the bus a few stops before Shek-O and made my way down a steep incline to the tiny village of Lan Nai Wan Tsuen.

     An irrigation trail lining the coast led me past abandoned homes covered in Banyan roots and meagre spray paint. The only other people I saw was a group of men working for the irrigation dept. fixing a pipe and an elderly couple watching over the town temple – the only well-preserved building to speak of.

     There were signs of a life left behind, surf boards and kayaks decaying beside the cracked cement docks, small buildings being taken over by Mangrove, the mattresses still inside the rooms. The place seemed to have been abandoned in an instant, yet a few simple houses across the bay were clearly still occupied – dogs on the roof, smoke coming from the backyard, and a flourishing garden irrigated by the nearby stream.Shek_O_02Shek_O_03Shek_O_04Shek_O_05Shek_O_06Shek_O_07Shek_O_01

返工 At Work

HK_Work_01    Last week I caught the MTR into Sham Shui Po on the Kowloon side of Hong Kong to take pictures of a rather unique neighborhood. I focused on photographing people at work in their tiny spaces that appear unsystematic to the untrained eye, however I have no doubt that there is a highly organized map in the minds of the shopkeepers and handymen that affords them their efficiency. Though I speak no Cantonese, the men and women in the Sham Shui Po neighborhood did not shy away from my camera. They often waved or offered a simple smile, as did I, then I was on my way. I plan to return to this neighborhood with a method of communication that allows me to ask them the questions that arose in my mind as I watched them work. HK_Work_02 HK_Work_03 HK_Work_04 HK_Work_05 HK_Work_06 HK_Work_07 HK_Work_08 HK_Work_09 HK_Work_10

食品 The Markets

HK_Food_01      Until a few months ago I had been a vegetarian for about 14 years. Upon coming to Hong Kong  I have eaten things like steamed pork buns, Yakatori chicken, and various dumplings I was sometimes unsure of the content of.. Being in a place where these things are a part of the culture, the way of life pulsing around me, I feel more okay with consuming it than I have before. Every street I walk down here has flesh hanging in some window, maybe an entire goose, maybe fish swimming in a tiny tank. People live in tiny apartments here. They eat out. They eat in parks, they eat together. These are the markets, as vibrant and social a step as any. The wet markets are loud and colorful, and they go well into the night as the city does.  HK_Food_02 HK_Food_03 HK_Food_04 HK_Food_05 HK_Food_06 HK_Food_07 HK_Food_08 HK_Food_11

街 Hong Kong Street

HK_Street_01 Right now I am living in a part of Hong Kong called Sheung Wan. It is very international, semi-dense, and highly multicultural. In the past week I have explored Central and Kowloon quite a bit and I have been happily inundated with the sights, scents, and sounds of the city. The people have been kind, the streets shockingly clean, and the air warm and humid. It is a place of activity. No one stands still. Interrupting the flow in a public place by being on your phone is called “phubbing” or “phubbering”. Still, people move politely despite the denseness that everyone talks about when referring to Hong Kong. I still feel that I have my space. HK_Street_02 HK_Street_03 HK_Street_04 HK_Street_05 HK_Street_06 HK_Street_08  HK_Street_10 HK_Street_14 HK_Street_15

市容 CityScape

HK_City_01     1,223 skyscrapers                                                                                                                                  Thirty-six of the world’s 100 tallest residential buildings                                                            More buildings taller than 500 feet [150 m] than any other city                                                    More people in Hong Kong live or work above the 14th floor than anywhere else on Earth,  making it the world’s most vertical city.                                                                                              HK  from my eyes November 2 – 7.HK_City_02 HK_City_03 HK_City_04 HK_City_05 HK_City_06 HK_City_07 HK_City_08 HK_City_09 HK_City_10

Glacier – CAMP


Over the weekend I had the privilege of attending the Women and Journalism Symposium annual CAMP in Whitefish Montana. I was surrounded by incredibly inspiring women from 6am, when I taught the early risers yoga class, till midnight when ladies gathered in the lodge bar, some in bathrobes others in suit jackets, talking about various importances in both realms: reporting and personal. On the last day of CAMP we had a few hours to spare, so a number of us drove into Glacier National Park. From the fall colored valley floor to the ragged pass dusted with hail, Glacier was breathtaking. It was the perfect ending to a weekend that reminded me of the vast possibility that exists before me in all things.

Glacier_02Glacier_08 Glacier_04 (Running into a classic car full of other JAWS ladies)Glacier_03 Glacier_05 Glacier_07Glacier_06

Halibut Cove

Halibut_Cove_Post_01Halibut Cove is a place unlike anywhere else. The tiny Alaskan town is made up of approximately 100 residents in the Summer and no more than 15 the remainder of the year. It has a mystical quality that seems to come down from the glacial mountains and settle at the sea. Within a day of being in the cove my friends and I were invited to play in a town softball game that marked the end of the season for those who leave the cove come labor day. That day the single restaurant, coffee shop and art gallery close till Memorial Day the next year. The people here really know each other. There are no vehicles, only the occasional four wheeler or golf cart moves between the spaciously placed homes, each one equipped with a dock and outhouse. My mind settled there. We hiked to a rather humbling glacier and stared at the deep blue ice that has been there for more than a century. We picked apples, made raspberry jam, and ate salmon that my friends Ian and Annie caught up the coast. I was reminded of a much more simple way of life that is by no means easy to sustain, but holds a richness that comes from interaction with the earth and sea around you. An ease I will remember. Halibut_Cove_Post_02Halibut_Cove_Post_03Halibut_Cove_Post_04Halibut_Cove_Post_05Halibut_Cove_Post_06Halibut_Cove_Post_07Halibut_Cove_Post_08Halibut_Cove_Post_09Halibut_Cove_Post_10Halibut_Cove_Post_11Halibut_Cove_Post_12Halibut_Cove_Post_13Halibut_Cove_Post_14Halibut_Cove_Post_15Halibut_Cove_Post_16Halibut_Cove_Post_17Halibut_Cove_Post_18Halibut_Cove_Post_19Halibut_Cove_Post_20Halibut_Cove_Post_21Halibut_Cove_Post_22Halibut_Cove_Post_23Halibut_Cove_Post_24